University of Leeds graduating Fine Art students heading for the buzz of the city's thriving art scene

Watch more of our videos on Shots! 
and live on Freeview channel 276
Visit Shots! now
The works of 62 graduating BA Fine Art students are currently available for public view at the University of Leeds.

Ranging from projection and painting to sculpture and installation, the whole span of contemporary art forms are on show at the School of Fine Art, History of Art and Cultural Studies as the class of 2022 mark the end of their time at university with their final degree show, Sitting With It.

After recent years have forced people to take stock of life decisions, Sitting With It prioritises rest over rapidity and asks you to sit with uncertain concepts.

Hide Ad
Hide Ad
Read More
Behind the scenes as graduating University of Leeds Fine Art students showcase t...

George Storm Fletcher, a 24-year-old student from Ely, Cambridgeshire, is exhibiting Magnolia which, incorporating print and performance, centres on a coffin sitting in a magnolia setting.

Since the sudden death of their father in September 2020, Fletcher has sought to stimulate conversations about death through text-based public interventions, but is now using a number of forms for their degree show work.

“I wanted to look at loaded objects,” Fletcher said.

“As soon as you see a coffin, you think ‘body’, and then you go ‘dead body’, and then ‘death’.

George Storm Fletcher with their work 'Magnolia' at the School of Fine Art, History of Art and Cultural Studies. Pic: Tony Johnson.George Storm Fletcher with their work 'Magnolia' at the School of Fine Art, History of Art and Cultural Studies. Pic: Tony Johnson.
George Storm Fletcher with their work 'Magnolia' at the School of Fine Art, History of Art and Cultural Studies. Pic: Tony Johnson.

“I’m playing with that, because it is a coffin - but it's also not a coffin.

Hide Ad
Hide Ad

“I think these symbolisms that we put on objects come from nowhere, to some extent. Why? It's just made of plywood, it's not a special thing. I spent hours making it - but it's not special.”

Fletcher, whose work Force Your Parents To Make Funeral Plans will be exhibited at the Royal Academy this summer, has mixed feelings about the degree show bringing their studies to a close.

“It feels very exciting - I'm very excited for everybody to come in and see what we're trying to do, but it actually just makes me want to keep doing it, and to stay here!” Fletcher said.

Works by Suilven Hunter (front), Emily Oades (back left) and Eabha Lambe (back right) at the School of Fine Art, History of Art and Cultural Studies. Pic: Tony Johnson.Works by Suilven Hunter (front), Emily Oades (back left) and Eabha Lambe (back right) at the School of Fine Art, History of Art and Cultural Studies. Pic: Tony Johnson.
Works by Suilven Hunter (front), Emily Oades (back left) and Eabha Lambe (back right) at the School of Fine Art, History of Art and Cultural Studies. Pic: Tony Johnson.

“It’s a real shame, because about three months ago, we all started coming into the studio and having these conversations that are so important and make you feel so good.

Hide Ad
Hide Ad

“But then we’ll have to clear out of the studios and we won’t have that space any more.”

In a studio along the corridor, Zoe Ley, a 22-year-old student from London, is also reaping the rewards of such conversations as she uses mosaic cutters to create hundreds of little pieces which will eventually comprise her degree show piece LIVE, LAUGH, LOVE, 2022.

“I have been a lot more open to using different resources in my third year,” Ley said.

Zoe Ley with her work LIVE, LAUGH, LOVE, 2022 at the School of Fine Art, History of Art and Cultural Studies. Pic: Tony Johnson.Zoe Ley with her work LIVE, LAUGH, LOVE, 2022 at the School of Fine Art, History of Art and Cultural Studies. Pic: Tony Johnson.
Zoe Ley with her work LIVE, LAUGH, LOVE, 2022 at the School of Fine Art, History of Art and Cultural Studies. Pic: Tony Johnson.

“But what is different about this year is people coming in and being able to discuss their ideas and say ‘oh, you should use this material’ - the technicians suggested I use jesmonite and I hadn’t thought about that.”

Hide Ad